Hiring architectural photographers has become a need of many organizations. You can easily avail of the services of such a photographer by looking over the web. Let say you need these services in Canberra, you can search on the web with architecture photography Canberra services. However, the job of an architectural photographer is not easy. There are certain types of mistakes that these photographers have to avoid.
The following points can be referred to as a list of mistakes that are to be avoided by architectural photographers:
A common mistake from photographers moving to architectural photography from real estate photography is trying to squeeze too much information into a single image. This often means shooting too wide. A successful architectural shoot relies on a set of images. Trying to achieve too much with a single image dilutes the quality of that image. In addition, shooting too wide introduces wide angle distortion. Subjects near to the camera are inevitably stretched.
I would hesitate to go wider than 24mm for interiors. In addition, I would aim to capture the building in 10-20 images. This will include 2-4 “hero images,” which will reveal the main design features, but I will never attempt to cover all the design features in a single image.
Type of the equipment: Usually, pictures can be clicked with any sort of camera but when it comes to professionalism it becomes essential to make use of the right equipment. . However, the right equipment also means the right type of lens. Many photographers make the mistake of using wide camera lenses while clicking pictures. But a wide camera lens is not always good. No doubt, it can help you in covering all things in one picture but in architect, pictures should have proper details of the items covered in the picture.
No hurry while clicking pictures: It is one of the biggest mistakes that many architectural photographers make by rushing while clicking photographs. Whether it is daytime or night-time, light plays an important role in getting good architect pictures. Choosing the right angle is also important. . Both of these things require patience.
Keep on the straight and narrow: As mentioned above, an architectural photographer should avoid making use of the wide lens.
Don’t use HDR all the time: No doubt the HDR feature helps in improving the quality of a picture by improving its colours. In some cases, using HDR makes a picture bad and far from reality. While using HDR, you need to ensure that there is a perfect balance between realism and the quality of the photograph captured.
Artificial light is very warm in comparison to natural light, especially during twilight or on a blue-sky day. When setting the white balance to the artificial light, blue light streams through the windows and doors of the building. If it were just the windows and doors, it would not be too detrimental to the image, but often, reflective surfaces such as the floor and furniture take on a blue color.
This is rectified in two ways. The first is to use flash and gels to balance the color temperature. For residential architecture, this technique works well, but for larger buildings, it becomes problematic trying to cover the entire scene with flash. Instead, I pick a white balance that creates natural, neutral color for the majority of the scene and then I desaturase the offending color: either blue or yellow.
These are the mistakes that an architectural photographer should strictly avoid while getting pictures. However, these points are not limited. There are a lot more things that should be avoided such as the tone of the photograph captured, it should neither be too bright nor be too dull.